Conservator Hans Erlandsson, Lund, Sweden (as a gift directly from the artist's family); Sotheby's, London, "19th Century European Paintings. Including the Scandinavian sale", June 6 2001, lot 12; Sven-Harrys Konstmuseum, Stockholm; private collection.

Nationalmuseum, Stockholm, "Carl Fredrik Hill 1849-1911", September - October 1949, no. 131; Skånska konstmuseum, Universitetet, Lund (University of Lund, Sweden), "För att lära känna Hill", April 19 - May 3 1953, no. 13; Kunstforeningen, Copenhagen, 1956, no. 21; Blaafarveværket, Modum, Norway, "Kong Jeg", May 18 - September 22 2002, no. 38; Sven-Harrys konstmuseum, Stockholm; Nivaagaards Malerisamling, Denmark, "Carl Fredrik Hill. Sveriges store landskabsmaler", October 4 2015 - January 31 2016.

Adolf Anderberg, "Carl Hill. Hans liv och hans konst", 1951, catalogued under "Luc-sur-Mer: Augusti 1876", p. 308, mentioned p. 236-237 and illustrated full page, Pl. 65; Sten Åke Nilsson, "Carl Fredrik Hill. Maximus Pictor", 2011, illustrated full page in colour, p. 112; Sten Åke Nilsson and Birgitte von Folsach, "Carl Fredrik Hill. Sveriges store landskabsmaler", exhibition catalogue, Nivaagaards Malerisamling, Denmark, 2015, illustrated full page in the catalogue, p. 13.

Carl Fredrik Hill was a Swedish artist born in Lund. Hill is considered one of Sweden's formost landscape painters. His fate and artistry are perhaps the strangest but most interesting in Swedish art history. Born in an academic home in Lund, despite his father's protests, he managed to begin studies at the Art Academy in Stockholm and then traveled to France, where he came in contact with Corot's landscape painting. He found his inspiration in Barbizon and later on the River Oise, in Luc-sur-Mer and Bois-le-Roi. He painted frantically with the hope of being accepted into the Salon de Paris. Already during his student years, he struggled with an incipient mental illness and at the age of 28 he was taken to the mental hospital in Passy. During the hospital stay he began his rich production of drawings and then continued with the production after his return to Lund, where he was cared for by his family for the rest of his life. In thousands drawings, a fantasy world of figures scenes appears. Today, Hill's river landscape and flowering fruit trees from the years in France, together with the visionary drawings from the period of illness in Lund, have received great recognition. His art depicts a loneliness and longing that is easy to get caught up in. He is mainly represented at the Malmö Museum and at the National Museum in Stockholm.

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