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1533581
Olle Bærtling(Sweden, 1911-1981)
Olle Bærtling, "lrgur"
Hammer price
21 000SEK
2 006 EUR 2 261 USD
Estimate
20 000 SEK

Bid history (15 bids)

10
Feb 1, 2024 7:26 PM
21 000 SEK
9
A
Feb 1, 2024 7:26 PM
20 000 SEK
9
A
Feb 1, 2024 7:25 PM
19 500 SEK
4
Feb 1, 2024 7:25 PM
19 000 SEK
9
A
Feb 1, 2024 7:25 PM
17 500 SEK
4
Feb 1, 2024 7:25 PM
17 000 SEK
9
Jan 30, 2024 9:01 PM
16 500 SEK
8
Jan 28, 2024 10:24 PM
16 000 SEK
7
Jan 28, 2024 5:55 PM
15 000 SEK
6
Jan 28, 2024 3:18 PM
10 500 SEK
5
Jan 27, 2024 10:29 AM
10 000 SEK
4
Jan 27, 2024 8:39 AM
9 000 SEK
3
Jan 26, 2024 10:20 PM
8 000 SEK
2
Jan 26, 2024 7:35 PM
3 000 SEK
1
Jan 26, 2024 5:03 PM
555 SEK
All times are in CET

Olle Bærtling, "lrgur"

Color serigraph, 1958, signed 76/90. P. 59 x 29 cm.

Not examined out of frame, yellowed.

Provenance

From the Collection of Heidi Boyce Broström (1943-2022) and Dan Axel Broström (1915-1976).

Dan Axel Broström was the third-generation ship-owner in the prestigious Broström Company group. When he took over the firm in 1949 they had 18 000 employees.
The Canadian model and geologist Heidi was Dan-Axel Broströms third wife, the couple lived at the fashionable Särö, a few miles south of Gothenburg.

More about Olle Bærtling

Olle Bærtling was born in Halmstad in Sweden and is most notable for his painting and sculpture. Bærtling studied like Bengt Lindström in Paris for André Lhote and Fernand Léger. His first exhibition took place in Stockholm in 1949. Bærtling works foremost in a geometric, non-figurative style, approaching his art as a scientist would his research. In 1956 Bærtling discovered his open form, the open trangle with sharp angles which express speed. When in 1956 he positioned the apex of the triangle beyond the boundaries of the frame, the canvas became merely a segment of an event occurring beyond our visual field. The sense of speed is emphasized by the colour, which gives the impression of higher velocities the closer to the triangle’s apex. Black outlines are strong characteristics of Bærtling’s art, while they may seem straight, they actually bend inwards towards the large fields, counteracting their outward pressure. Colour was also essential to Bærtling’s work, whereby it was imperative that they could not be found in nature and were not associated to any form or object. Thus Bærtling only utilised secondary colours: violet, orange, green, and Bærtling-white (a week green-tinted colour). His open form is most evident in the sculptures he made from 1958 onwards. Bærtling consistently delved into the interplay between colors and shapes, remaining unaffected by external artistic trends throughout his life. Today, we can see how artists such as Ann Edholm have been inspired by Bærtling's creations.

Read more
Contact
Johan Jinnerot
Stockholm
Johan Jinnerot
Specialist Art, Head specialist Old Masters
+46 (0)739 400 801

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Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

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