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1691564
Wilhelm Kåge(Sweden, 1889-1960)
35 pieces of a 'Liljeblå' service, Gustafsberg, Sweden, 1918-1936.
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35 pieces of a 'Liljeblå' service, Gustafsberg, Sweden, 1918-1936.

Printed decoration of floral design in blue. Most pieces deeply stamped Gustafsberg original WK and marked in blue Gustafsberg Liljeblå. Comprising:
3 dinner plates, diameter 24.5 cm.
2 starter plates, diameter 21 cm.
Teapot with lid, diameter 15 cm.
Cream jug, height 8.8 cm.
Sugar bowl with lid, width 14 cm.
6 coffee cups with saucers, saucers' diameter 13 cm.
3 tea cups with saucers, saucers' diameter 15.5 cm.
Jug, height 14.5 cm.
Egg plate with dome, 21 x 21 cm.
2 salt cellars, width 5.5 cm.
Butter dish with lid, 12 x 12 cm.
Egg cup, height 6 cm.
Sugar shaker, height 11.5 cm.
Tray with salt and pepper shakers and mustard pot with lid, tray's length 19 cm.
Jar with lid, height 9.5 cm.
Sauce boat, length 16 cm.
Plate, length 22 cm.
Bowl, diameter 13 cm.
Cake stand, diameter 23 cm.
Bowl, diameter 25.5 cm.
Serving platter, length 38 cm.

Two lids are included. Crazing. Some chips. A few repairs. Wear. Stoppers for the salt, pepper, and sugar shakers are missing.

Location
Västberga Allé 3, 126 30 Hägersten - L52 - Visas på begäran
Provenance

A Swedish private collection.

More information

Also known as the "Arbetarservisen" (The Worker's Service) and the first service designed by Wilhelm Kåge. The service was presented at the Home Exhibition in 1917 at Liljevalchs, Stockholm, organised by the Swedish Society of Crafts and Design. The name "Liljeblå" is a combination of the name Liljevalchs and the colour blue (blå). The decoration is inspired by blue faience from the 18th century.

More about Wilhelm Kåge

Wilhelm Kåge was a Swedish artist and ceramicist. Kåge is known for his ceramics for the Gustavsberg porcelain factory, where he was the artistic director from 1917 to 1949. Kåge studied from 1910 under Carl Wilhelmson at the Valand Academy of Art in Gothenburg and later under Johan Rohde in Copenhagen, where he became acquainted with Gösta Adrian-Nilsson (GAN) and grew closer to modern art. He studied graphic art in Munich and began his artistic career by designing posters for theatres and exhibitions, among other things. His connection with Gustavsberg was facilitated through the Swedish Society of Crafts and Design, as Gustavsberg needed new products for the Home Exhibition at Liljevalchs in 1917. He went on to design around thirty different dinnerware sets, as well as art pottery, colourful faience, stoneware, and various series of art pottery such as Carrara, Surrea, and Våga. In 1942, Kåge, together with Stig Lindberg, established the Gustavsberg Studio, which became a kind of aesthetic laboratory for art pottery.
At the Stockholm Exhibition in 1930, Kåge presented Gustavsberg's future sales success "Argenta," a series of art pottery primarily glazed in green but also in red, blue, brown, and celadon green, and decorated with various silver designs based on Kåge's sketches. Argenta became very popular and was produced well into the 1970s. The powerful stonewares "Farsta" were also presented at the Stockholm Exhibition and they became the ones closest to Kåge's heart and with which he continued to experiment throughout his life. The pieces improved over the years, and the most impressive and many of the most sought-after items were created by Kåge during the 1950s.

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Sofie Lundberg
Stockholm
Sofie Lundberg
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+46 (0) 73 918 04 69

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