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1691590
Wilhelm Kåge(Sweden, 1889-1960)
a jar with cover, and four vases, creamware and porcelain, Gustavsberg, Sweden, 1917-1920.
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A jar with cover, and four vases, creamware and porcelain, Gustavsberg, Sweden, 1917-1920.

Jar with lid, painted decoration in purple, signed Kåge / 1917 and deeply stamped GUSTAFSBERG ORIGINAL WK, height 16 cm.
Vase/tea caddy, "Till Jenny", painted decoration in brown and marked The, signed Till Jenny Kåge /1917 and with impressed mark GUSTAFSBERG ORIGINAL WK, height 14.5 cm.
Vase decorated in blue, signed WK/17, impressed mark GUSTAFSBERG ORIGINAL WK 1917, and with production note 3/4 Royal + flowing green Fluss, height 8.5 cm.
Thick-walled vase decorated in blue, signed Gustafsberg WK 1917, height 12.5 cm.
Vase, decorated with stars in blue, signed Kåge 1920 with the anchor mark within a G, and incised signature Gustafsberg 1917, height 11.5 cm.

Crazing. Partly discoloured.

Location
Västberga Allé 3, Hägersten - V13
Provenance

A Swedish private collection.

Literature

Petter Eklund, "Wilhelm Kåge, formgivare i folkhemmet", Historiska Media 2016, cf. image p. 99: "Early stoneware in insulator mass", cf. also the kitchen jar illustrated p. 96.

More information

Wilhelm Kåge was married in his first marriage to the prima ballerina and actress Jenny Hasselquist (1894-1978). The marriage lasted from 1918 to 1922.

More about Wilhelm Kåge

Wilhelm Kåge was a Swedish artist and ceramicist. Kåge is known for his ceramics for the Gustavsberg porcelain factory, where he was the artistic director from 1917 to 1949. Kåge studied from 1910 under Carl Wilhelmson at the Valand Academy of Art in Gothenburg and later under Johan Rohde in Copenhagen, where he became acquainted with Gösta Adrian-Nilsson (GAN) and grew closer to modern art. He studied graphic art in Munich and began his artistic career by designing posters for theatres and exhibitions, among other things. His connection with Gustavsberg was facilitated through the Swedish Society of Crafts and Design, as Gustavsberg needed new products for the Home Exhibition at Liljevalchs in 1917. He went on to design around thirty different dinnerware sets, as well as art pottery, colourful faience, stoneware, and various series of art pottery such as Carrara, Surrea, and Våga. In 1942, Kåge, together with Stig Lindberg, established the Gustavsberg Studio, which became a kind of aesthetic laboratory for art pottery.
At the Stockholm Exhibition in 1930, Kåge presented Gustavsberg's future sales success "Argenta," a series of art pottery primarily glazed in green but also in red, blue, brown, and celadon green, and decorated with various silver designs based on Kåge's sketches. Argenta became very popular and was produced well into the 1970s. The powerful stonewares "Farsta" were also presented at the Stockholm Exhibition and they became the ones closest to Kåge's heart and with which he continued to experiment throughout his life. The pieces improved over the years, and the most impressive and many of the most sought-after items were created by Kåge during the 1950s.

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Contact
Sofie Lundberg
Stockholm
Sofie Lundberg
Appraiser
+46 (0) 73 918 04 69

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By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

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The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

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