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Siri Derkert(Sweden, 1888-1973)
Siri Derkert, The original cover to "Sara Lidman, I liv och text" by Birgitta Holm.
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Siri Derkert, The original cover to "Sara Lidman, I liv och text" by Birgitta Holm.

Mixed media and collage 23.5 x 19 cm. A handwritten letter written by Sara Lidman is included with this lot.

Not examined out of frame.

Provenance

Gift from Sara Lidman.
Private collection.

More information

Sara Lidman föddes 1923 i Västerbotten. Hon tillhör en av de stora och nyskapande språkkonstnärerna i svensk litteratur. Som få författare har Sara Lidman förenat samhälleligt engagemang och språklig och stilistisk medvetenhet, och hennes produktion innefattar vid sidan av romanerna ett stort antal artiklar, tal och debattinlägg. I biografin ”Sara, I liv och text” gör Birgitta Holm ett porträtt av Sara Lidman i helfigur med en samlad framställningen om hennes liv och verk. Auktionens collage användes som omslag till Birgitta Holms bok om Lidman och detta är första gången verket visas upp och kommer ut till försäljning.

More about Siri Derkert

Siri Derkert was born in Stockholm in 1888 and died 1973. She is well-known as an artist, printmaker, and sculptor. She received her education at Althin's Painting School, the Royal Academy of Fine Arts in Stockholm, and at the women's civic school operated by the Fogelstad Group. Her internation studies were completed in France, Spain and Italy. She worked with all kinds of materials, primarily in the expressionist vein, but was also active in incorporating a cubist and fauvist style into her works. In 1913 she moved to Paris, where she came into contact with the visual language of cubism. From 1915 to 1916, she painted portraits and still lifes in a facetted cubist style characterized by cool and elegant colors, with lighter and darker shades creating facets that distinguished these works from her later paintings. After this period, she took a break from painting for nearly a decade. However, after this period Derkert did not touch a paintbrush for 10 years, it wasn’t until the middle of the mid-1920s when the artist started painting again, but in a new realistic style. Her three children became her models, depicted in serene portraits and lively scenes. In 1933, Derkert's life and art took a turn inward, reflecting anxiety and insecurity. Realistic forms dissolved, leaving only a few strokes to hint at the subject. The ecstatic destruction of form was replaced at the end of the decade by a renewed interest in formal issues, expressed through sculpture during the war years. In 1944, Derkert achieved breakthrough success after encountering a new world at Fogelstad, a civic school for women. She once again embraced an experimental spirit, returning to cubism and exploring new forms such as collage and a primitive and simplified graphic art, etched in metal or blasted in concrete, as seen in the Östermalmstorg subway station. In 1960, Siri Derkert became the first woman to have a solo exhibition at the Moderna Museet in Stockholm.

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Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

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