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Carl Fredrik Reuterswärd

(Sweden, 1934-2016)
Carl Fredrik Reuterswärd
(Sweden, 1934-2016)

Carl Fredrik Reuterswärd, "Grönt spel"

Signed Reuterswärd and on the reverse signed and dated 1963. Canvas 22 x 27 cm.

More information

Carl Fredrik Reuterswärd var en centralfigur i Sverige och en internationell svensk konstnär, i efterkrigstidens konstliv. Endast Öyvind Fahlström torde haft en större betydelse på den internationella konst-arenan och ingen annan svensk bör ha haft samma internationella kontaktnät som Carl Fredrik Reuterswärd, från konstnärer som Marcel Duchamp till kritiker som Susan Sonntag.

Beläst, intellektuell, verbal, skojfrisk och virtuos skapade han sina viktigaste verk i början av 1960-talet. Carl Fredrik Reuterswärds ”spel”, indikativa målningar om slumpens skördar, cigarrer i olika format och användandet av repetitiva bildelement - före Andy Warhols - tillkommer under åren 1961-63. Där ingår bland annat auktionens oljemålning ”Grönt spel” från 1963.

Därefter tar han sin berömda, annonserade semester under vilken han experimenterar med laser över Paris hustak. Senare skapar han olika identiteter, där Kilroy och konsthandlaren Pratt-Müller är två av de mer kända.

Artist

Carl Fredrik Reuterswärd (1934-2016), is a Swedish painter and sculptor who lives in Switzerland. He studied with Fernand Léger in Paris 1951-1952 and was a professor of painting at The Academy of Fine Arts in Stockholm 1965-1969. He lived in Bussigny/Laussane and Paris. In 1974 he was a guest professor at Minneapolis School of Art, Minneapolis, Minnesota.
Reuterswärd is known for his sculpture showing a revolver tied in a knot, called Non Violence, on display outside United Nations headquarters in New York.

One of the first established artists to use the hologram technique was Bruce Nauman who recorded a well-known series of pulsed-laser transmission holograms entitled Making Faces in 1968. His holograms were exhibited at the Castelli Gallery in New York. Another famous artist was Salvador Dalí who made holograms at McDonnell Douglas holographic labs in the USA and exhibited in New York at the Knoedler Gallery. Harriet Casdin-Silver in the USA and Carl Fredrik Reuterswärd in Sweden are two other established artists who were attracted to lasers and holography and created early holographic art pieces in the late 60’s and early 70’s. Reuterswärd’s early work, including laser and holography art pieces, is described in the book:

25 YEARS IN THE BRANCH, Benteli Verlag Berne, Switzerland, 1977. ISBN 91-7100-125-5.

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By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

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