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15
1491325

Ulrica Hydman-Vallien

(Sweden, 1938-2018)
Estimate
8 000 - 10 000 SEK
714 - 892 EUR
738 - 923 USD
Hammer price
8 500 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Camilla Behrer
Stockholm
Camilla Behrer
Head of Design/ Specialist Modern & Contemporary Decorative Art & Design
+46 (0)708 92 19 77
Ulrica Hydman-Vallien
(Sweden, 1938-2018)

a unique glass sculpture on a metal stand, Kosta Boda, Sweden.

Purple tinted glass, figure with painted decoration of fantasy animals, faces, etc, signed Kosta Boda Unik Ulrica H.V. 310880029, the base is also numbered. Height 58.5 cm.

The antlers with inner cracks, probably from manufacture.

Provenance

Sivert Oldenvi Collection.

Designer

Ulrica Hydman-Vallien (1938-2018) was a Swedish ceramist and a visual and glass artist. She was educated at Konstfack in Stockholm 1958-1962 and on study trips to the USA, Mexico, Holland and Spain, among others. During her studies, she met Bertil Vallien and they married in 1963. She started her career at the Åfors glassworks as a ceramicist but after nine years of work switched to glass design in 1972. Ulrica Hydman-Vallien often returned to motifs such as winding snakes, tulips, wolves and figures. Her work is often characterized by strong colors and a playfulness. Some well-known model names are "Caramba", "Inka", "Nevada" and "Open Mind". Two techniques that Ulrica developed and named were Juvel and Kabale. Hydman-Vallien is one of our country's most famous artists. Her unmistakable figures have, for example, graced everything from Ericsson mobile phones and British Airways aircraft tails.

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