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Modern Swedish Art
1223940

Eric Hallström

(Sweden, 1893-1946)
ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.
ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.
ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.
ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.
ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.
ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.
ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.
ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.
ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.
ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.
ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.
ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.
Eric Hallström
(Sweden, 1893-1946)

ERIC HALLSTRÖM, Oil on panel, Signed E. Hallström and dated Madeira 1926.

"Landskap, Madeira" 38 x 46 cm.

Minor crazing. Insignificant surface dirt.

Provenance

Svensk Franska konstgalleriet, Stockholm.
Director Gösta Olsson, Stockholm.

Exhibitions

Liljevalchs Konsthall, Stockholm, "Eric Hallström", 1946, catalogue no. 66, illustrated in the exhibition catalogue.

Literature

Lennart Seth, "Eric Hallström", SAK, 1967, ill p. 190.
"Konst i svenska hem", vol. II,, listed p. 272 in the collection 420: Gösta Olsson.

More information

"1926 kommer den betydelsefulla resan till Madeira, från den snåla vintern hamnar konstnären mitt i ett ångande överflöd, där palmerna spruta som kaskader ur den torra jorden. Han behåller sin känsla för den signifikativa detaljen, för ett träds skälvande silhuett och en arbetande människas energiska kontur men han presenterar det han ser i en färgskala av spanskt grönt och dammgrått, som aldrig för presenterats på hans palett." Gunnar Mascoll Silfverstolpe, recension i Konstrevy, 1930.

Auction closed
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25 000 SEK
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Lena Rydén
Stockholm
Lena Rydén
Head of Art, Specialist Modern and 19th century Art
+46 (0)707 78 35 71
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