Service, 84 pieces, "Liljeblå", Gustavsberg
Consisting of:
2 round tureens, diameter 26 cm.
1 oval tureen, length 32 cm.
7 oval serving dishes, length 25 - 41 cm.
2 round serving dishes, length 32 and 37 cm.
1 pâté dish with lid, length 28 cm.
4 oval bowls, length 22 - 30 cm.
1 bowl, diameter 13 cm.
1 oval footed bowl, length 23 cm.
1 serving dish with handle, length 23 cm.
1 egg dish with cover, length and width 22 cm.
1 butter box with lid, length and width 13 cm.
1 mustard pot with lid, height 9 cm.
2 salt cellars, length 5.5 cm.
3 shakers for sugar, salt, and pepper, height 12 and 7 cm, on a tray, length 18 cm.
3 jugs, height 14 - 15 cm.
2 egg cups, height 6 cm.
1 coffee pot, height 20 cm.
1 teapot, height 14 cm.
1 sugar bowl with lid, 14 cm.
1 cream jug, height 9 cm.
3 teacups, diameter 11 cm, with saucers, diameter 16 cm.
7 deep plates, diameter 25 cm.
6 deep plates, diameter 22 cm.
12 plates, diameter 25 cm.
13 plates, diameter 21 cm.
4 plates, diameter 18 cm.
1 plate, diameter 16 cm.
Chips, damages.
Wilhelm Kåge was a Swedish artist and ceramicist. Kåge is known for his ceramics for the Gustavsberg porcelain factory, where he was the artistic director from 1917 to 1949. Kåge studied from 1910 under Carl Wilhelmson at the Valand Academy of Art in Gothenburg and later under Johan Rohde in Copenhagen, where he became acquainted with Gösta Adrian-Nilsson (GAN) and grew closer to modern art. He studied graphic art in Munich and began his artistic career by designing posters for theatres and exhibitions, among other things. His connection with Gustavsberg was facilitated through the Swedish Society of Crafts and Design, as Gustavsberg needed new products for the Home Exhibition at Liljevalchs in 1917. He went on to design around thirty different dinnerware sets, as well as art pottery, colourful faience, stoneware, and various series of art pottery such as Carrara, Surrea, and Våga. In 1942, Kåge, together with Stig Lindberg, established the Gustavsberg Studio, which became a kind of aesthetic laboratory for art pottery.
At the Stockholm Exhibition in 1930, Kåge presented Gustavsberg's future sales success "Argenta," a series of art pottery primarily glazed in green but also in red, blue, brown, and celadon green, and decorated with various silver designs based on Kåge's sketches. Argenta became very popular and was produced well into the 1970s. The powerful stonewares "Farsta" were also presented at the Stockholm Exhibition and they became the ones closest to Kåge's heart and with which he continued to experiment throughout his life. The pieces improved over the years, and the most impressive and many of the most sought-after items were created by Kåge during the 1950s.