CARL JOHAN DE GEER, MARIE-LOUISE EKMAN, offset poster, 1969.
100x70. Unframed.
Wear. Tear.
Björn Springfeldt, tidigare chef för Moderna Museet (1989-96) och innan dess för Malmö Konsthall (1986-89).
Klas Gustafson, "Marie-Louise Ekmans två liv", 2015, sid 266, avbildad helsida i färg.
I den nyutkomna boken "Marie-Louise Ekmans två liv" skriver Klas Gustafson om "På toaletten/Aftonsnabeln": "affischen är gemensamt signerad av Marie-Louise och Carl Johan De Geer, det var han som tecknade kvinnans kloliknande händer" (sid 271)
Carl Johan De Geer was a Swedish painter, designer, photographer, and author. He studied from 1959-62 at Konstfack. He is one of the leading representatives of the boundary-crossing artists of the 1960s. Utilising the magazine “Puss” as his platform, De Geer and others satirically critiqued society and its representatives in a provocative style. In their exhibitions, which often take the form of entire scenographies, he works with all art forms. He has designed textile patterns, created paintings featuring kitsch and memories, made films, and written novels that blend modernism with pop culture.
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