A turquoise Keshan pottery vase, central Persia, 13th century.
Tietoa ostamisesta
Mitä kuljetus maksaa?
Paketointi ja vakuutus
Kaikki lähetettävät esineet ovat vakuutettuja sekä huolellisesti ja tarkoituksenmukaisesti pakattuja uniikin esineesi suojaamiseksi.
Miten tilaan kuljetuksen?
Kun olet suorittanut maksun voit tilata kuljetusken Omat Sivut -osion kautta
Milloin esineeni toimitetaan?
Tilauksesi käsitellään 2-5 päivän sisällä toimituksen varauksesta. Saat toimitusvahvistuksen sähköpostitse, kun pakettisi lähtee Bukowskilta. Huomaathan, että kotiinkuljetuksen voi tilata vain siihen osoitteeseen, jonka olet antanut laskutusosoitteeksesi, kun maksu suoritetaan Klarnan kautta.
Lisätietoja ja kuntoraportit
Of baluster form with turquoise glaze and protruding rim. Height 17.5 cm
Alkuperä - Provenienssi
From the Collection of Johan Almqvist (1940-2024). Johan spent his early years in various countries and learned many languages thanks to his father, Karl Fredrik Almqvist (1906-1982), who was a Swedish diplomat. Johan had a passion for art and travel early on. In the early 1960s, as one of his first jobs as a free-lance journalist, he traveled to the Middle East where his interest in Persian ceramics and collecting started.
He then came to be based in Japan, still as a free-lance journalist for all the major Scandinavian Newspapers as well as Springer (Die Welt and Zeitung), Swedish Television, Svensk Radio and Radio Luxembourg. He covered a large part of Asia, including The Philippines, Korea, and Vietnam.
1974 he was hired by Beijer Invest to be based in Japan.
Stockholms auktionsverk, "Klassiska", 4 December 2013, Stockholm, lot 1661.
Muut tiedot
In the 13th century, Kashan emerged as one of Persia’s most distinguished and influential centres for turquoise-glazed earthenware. Its workshops achieved an exceptional level of technical refinement, producing a glaze of remarkable depth and clarity that has become one of the most recognisable colours in Islamic ceramic art.
These pieces are defined by their elegant proportions and disciplined design. The silhouettes are clean and harmonious, while the glaze—applied with notable precision—creates a rich, saturated surface that reflects an outstanding command of ceramic technique. Decoration ranges from refined kufic elements to pure monochrome, allowing the turquoise glaze to dominate the aesthetic.
Today, surviving examples from this production are highly prized, valued both for their luminous visual presence and for their connection to Kashan’s role as a pioneering and culturally significant ceramic centre at the height of the Persian medieval period.