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Per Kirkeby

(Denmark, 1938-2018)
800 000 - 1 000 000 SEK
71 900 - 89 900 EUR
76 500 - 95 600 USD
Hammer price
820 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

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Marcus Kinge
Marcus Kinge
Specialist Prints
+46 (0)739 40 08 27
Per Kirkeby
(Denmark, 1938-2018)


Signed Per Kirkeby and dated 1986 on verso. Oil on linen 200 x 130 cm.

Saleroom notice

Listed and illustrated in "Per Kirkeby: Paintings 1978-1989, Catalogue Raisonné, Volume II", 2016,


Pamela Auchincloss Gallery, Santa Barbara.
Private collection, Sweden.


Pamela Auchincloss Gallery, Santa Barbara "Per Kirkeby", 25 November - 24 December 1986.


Ane Hejlskov Larsen, "Per Kirkeby: Paintings 1978-1989, Catalogue Raisonné, Volume II", 2016, listed as no. M 850 and illustrated p. 450.

More information

When Per Kirkeby passed away in May 2018, at the age of 79, he left behind a fantastic legacy of paintings, sculptures in brick or bronze, graphic art, drawings, texts and video works. Kirkeby was an incredibly creative and brave artist. He is considered Denmark’s most prominent artist of the 20th century and holds an indisputable place within international art history as one of the most important painters and sculptors in Europe. Early on in his career he veered towards pop art, but later progressed into a more abstract expressionist painting style. In the 1960s his performance art associated him with famous Fluxus artists such as Joseph Beuys and Nam June Paik. His big breakthrough came in 1978 when Kirkeby participated in the Venice Biennale and his work caught the attention of an international audience.

In his youth he had studied geology and his interest in that subject is visible in all of his artistic modes of expression. He found his motifs in the landscape and in nature. The paintings all share a strong structure; forceful brushstrokes, layer upon layer of forms and lines coming together to create their own topography. Kirkeby’s brick sculptures have a direct connection to the Danish soil. Using burnt clay he created large spatial installations on the border between sculpture and architecture. A great example of this is the sculpture ‘Wanås’, created for the Wanås Konst sculpture park in 1994. The smaller sculptures he kneaded out of clay himself, the traces of his fingers still visible in the heavy bronze casts.

During Kirkeby’s five decade long artistic career he has been exhibited at well-known institutions such as the Tate Modern in London, Museum Kunstpalats in Düsseldorf, at the Louisiana Museum of Modern Art outside Copenhagen, as well as in numerous galleries around the world.