354
1215257
Erik Olson
(Sweden, 1901-1986)
Erik olson, "komedianter".
Erik olson, "komedianter".
Erik olson, "komedianter".
Erik olson, "komedianter".
Erik olson, "komedianter".
Erik olson, "komedianter".
Erik olson, "komedianter".

"Komedianter"

Signed Erik Olson and dated 1937. Also signed and dated on verso. Panel 58 x 36 cm.

Droit de suite: Yes
Estimate: 

200 000 - 250 000 SEK

18 975 - 23 719 EUR

Hammer price: 
210 000 SEK
Provenance

Svensk-Franska Konstgalleriet, Stockholm, auction no 88, 5 April 1967, cat no 163, plate 26.
Stockholms Auktionsverk, Moderna Kvalitén, våren 2004, cat no 646.
Stockholms Auktionsverk, Moderna, 21 October 2014, cat no 544.

Exhibitions

Halmstadgruppen, Liljevalchs Konsthall, Stockholm 1939, exhibition 131, cat no 501.

Literature

Viveca Bosson, "Halmstadgruppen 50 år", 1979, compare image no 74, "Offret".

Related content

Erik Olson first came to Paris in 1924 together with his cousin Waldemar Lorentzon. He studied at Académie Moderne for some time where he was introduced to the late cubism by his teacher Fernand Léger. Between 1924-25 he traveled around Italy and from there he had to go back to Sweden and Halmstad due to financial troubles. In 1927 he had enough money to return to Paris and stayed there until 1935. Back in Paris his artistry developed a lot. In 1930 ha created some of the most important concrete works in Swedish art history. After that he left the concrete idiom and continued to explore and develop his own surrealism together with his colleagues in the artist group called Halmstadgruppen.
“Komedianter" is painted in 1937 when Olson’s surrealism is in full bloom. The work depicts two strict figures made up of geometric elements dressed in sweeping garments. The title and the column fragments make the viewer think of ancient Greece. The colors are bright and the checkered floor seems to be rolled out as a mat from the cylinder shapes in the lower corner of the picture. It helps to give the image a strong sense of unreality, so typical of Olson's art in the 1930s. Within the Halmstad group they wanted to combine realism with surrealism and not completely break the connection with the experienced world. In "Komedianter", the blue sky and white dove can be seen as examples of this quest to combine realism with surrealism.

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Contact specialist
Lena Rydén
Stockholm
Lena Rydén
Specialist Modern Art
+46 (0)707 78 35 71