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A Chinese parcel-gilt bronze stand for the 'five sensory offerings', Qing dynasty, 19th century.

Estimate
10 000 - 15 000 SEK
930 - 1 400 EUR
1 050 - 1 570 USD
Purchasing info
What will the transport cost?

Packaging and insurance

All items sent from Bukowskis are fully insured and carefully inserted in discreet packaging to protect your unique item.

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When the payment is settled, you're welcome to book transport on My Pages

When will my item be delivered?

Your order will be prepared within 2-5 days after the transport is booked. You will receive a message by mail, text or phone when your item is on its way. Please note, when making payment via Klarna, that the address for home delivery must be the same as your invoicing address.

For condition report contact specialist
Cecilia Nordström
Stockholm
Cecilia Nordström
Senior specialist Asian Ceramics and Works of Art, European Ceramics and Glass
+46 (0)739 40 08 02
A Chinese parcel-gilt bronze stand for the 'five sensory offerings', Qing dynasty, 19th century.

Heavily cast, with a naturalistic high relief of scrolling foliage, five lotus-thrones supporting the now missing Buddhist 'Five Sensory Offerings' consisting of a mirror, lute, perfumed conch shell, fruit and silk cloth, all supported on a ribbon tied shaped base. Height 28 cm. Width 32.5 cm.

Wear. Restored.

Provenance

Purchased at Bruun Rasmussen, 21 May 2015, lot 1521.

From the Collection of the Danish Telegraph Manager and Art Collector Sophus Marius Black (2/5 1882-22/12 1960). Sophus was employed by the Great Northern Telegraph Company, was stationed in China 1902-31. After service in Shanghai, Yantai (Chefoo) and Tianjin, he came to Beijing in 1907, and from 1919 he served as manager of the company's station there and periodically in Tianjin, Yantai (Chefoo) and Hong Kong.
B. was soon preoccupied with Chinese culture and art. He understood and respected the Chinese mentality, learned the language, lived by the country's customs and soon began to build a vast Collection.
Over the years, his collection became versatile and rich, including Buddhist figures, Paintings and Works of Art. In 1930 the family moved home, and managed to bring the collections.