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1168453

Emile Joseph Patoux

(France, 1893-1985)
EMILE JOSEPH PATOUX, oil on canvas, bears monogram signature and dated 1935.EMILE JOSEPH PATOUX, oil on canvas, bears monogram signature and dated 1935.
EMILE JOSEPH PATOUX, oil on canvas, bears monogram signature and dated 1935.EMILE JOSEPH PATOUX, oil on canvas, bears monogram signature and dated 1935.
EMILE JOSEPH PATOUX, oil on canvas, bears monogram signature and dated 1935.EMILE JOSEPH PATOUX, oil on canvas, bears monogram signature and dated 1935.
EMILE JOSEPH PATOUX, oil on canvas, bears monogram signature and dated 1935.
EMILE JOSEPH PATOUX, oil on canvas, bears monogram signature and dated 1935.
EMILE JOSEPH PATOUX, oil on canvas, bears monogram signature and dated 1935.
Emile Joseph Patoux
(France, 1893-1985)

EMILE JOSEPH PATOUX, oil on canvas, bears monogram signature and dated 1935.

Landscape. 33.5 x 45 cm.

More information

Emile Joseph Patoux var en Belgisk neo-impressionist, mest känd för landskapsmålningar. Han hörde till Fauvisterna, den första viktiga konststilen efter impressionismen. Till gruppen hörde också Henri Matisse, parallellt med att en en ung Pablo Picasso utförde sina blå och rosa målningar. I slutet av decenniet hade Georges Braque utvecklat den analytiska kubismen.
Utanför Frankrike blev samtidigt konstnärsgrupper som Die Brücke och Der Blaue Reiter i Tyskland kända, med konstnärer som Ernst Ludwig Kirchner, Franz Marc and Wassily Kandinsky. Som många av konstnärerna från den tiden fick Emile Joseph Patoux uppleva fasorna av första världskriget på nära håll som soldat i Harderwijk.

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Estimate
2 500 SEK
The auction is closed.
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

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The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

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