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1284696
Olle Bonniér(Sweden, 1925-2016)
Olle Bonniér, mixed media, signed and dated 1979
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Olle Bonniér, mixed media, signed and dated 1979

"Manzanillo, Mexico". 48 x 57 cm.

Not examined out of frame.

More information

Olle Bonniér föddes 1925 i Los Angeles. Han utbildade sig vid Tekniska skolan och studerade för Isaac Grünewald och gjorde flera studieresor till Europa. Bonniér utryckte sig nonfigurativt och var intresserad av färgernas och formernas dynamik. Han hade sitt stora genombrott med utställningen ”Ung konst” hos Färg och Form där dåtidens radikala ungdomar förenades i en intellektuell sammanslutning som kom att kallas ”1947 års män”. En något missvisande benämning eftersom det uteslöt den enda kvinnliga konstnären på utställningen, Randi Fisher. I övrigt deltog Lennart Rodhe, Karl-Axel Pehrson, Pierre Olofsson, Olle Gill, Lage Lindell, Armand Rossander och Uno Vallman samt skulptörerna Liss Eriksson och Knut Erik Lindberg. En handfull av deltagarna fokuserade på det rent konkretistiska, Bonniér var en av dem. Han målade till en början färgstarkt, och sedan med mer kontrasterande färger, ofta svart-vitt. Från 1950-talet övergick han till ett mer poetiserande måleri. Olle Bonniér är tveklöst en av Sveriges främsta företrädare för konkretismen.

More about Olle Bonniér

Olle Bonniér was born in 1925 in Los Angeles. He studied at the Technical School under Issac Grünewald and made several study trips to Europe. Bonniér preferred non-figurative expressions and was interested in the dynamic between colour and form. He had his grand breakthrough with his exhibition “Ung Konst” at Färg and Form, where a group of young radicals came together to form the intellectual association known as “Men of 1947”. This name was somewhat misleading as it excluded the female artist is the group Randi Fisher. Other participants included Lennart Rodhe, Karl-Axel Pehrson, Pierre Olofsson, Olle Gill, Lage Lindell, Armand Rossander och Uno Vallman samt skulptörerna Liss Eriksson and Knut Erik Lindberg. Of the artists which focused upon pure concretism, Bonniér was one of them. In the beginning his painting style consisted of vivid colours, which later turned into more contrasting colours, often black and white. During the 1950s Bonniér edhered to a more poetic painting style. Bonniér is undoubtedly one of Swedens most important representatives of concretism.

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Amanda Wahrgren
Stockholm
Amanda Wahrgren
Head specialist Modern Art
+46 (0)702 53 14 89

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Finland: Kuvasto

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