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Jan Håfström

(Sweden, Born 1937)
Jan Håfström
(Sweden, Born 1937)

Jan Håfström, etching, signed and dated 2016, numbered e.a.

Mr Walker (Vad är det här) Bladstorlek 60 x 78 cm, bildyta 35 x 40 cm.

Not examined out of frame.

More information

Jan Håfström, född 1937, inledde sitt konstnärskap på 1960-talet med att låna från seriefigurer och andra media, helt i popkonstens anda. Han har därefter växlat mellan figurativt och abstrakt måleri, gjort film, skulpturer och varit verksam som konstkritiker. Sedan millenieskiftet har Jan Håfström återvänt till seriernas värld. År 2001 tilldelades Jan Håfström Carnegie Art Award för en serie målningar föreställande Fantomens alias, den mystiske Mr Walker.

Mr Walker kan också ses som Jan Håfströms eget alter ego. När Jan Håfström var ung läste han ofta Fantomen-tidningar, och intrycken av dessa läsupplevelser har slagits samman med personliga barndomsminnen och bilder av Håfströms föräldrar och farföräldrar.
I auktionens konstverk, Mr Walker (Vad är det här), ser vi Mr Walker fundersamt knäböja inför ett svenskt samtida konstverk, en s.k. ”tygskulptur" av svenske konstnären Torsten Andersson (1926-2009).

Moderna Museet i Stockholm har förvärvat en Mr Walker-målning av Jan Håfström, ”Walkers sista uppdrag” (ref nr MOM 2002/320).
Jan Håfström är för övrigt representerad på Nationalmuseum i Stockholm, Göteborgs konstmuseum, Astrup Faernely Museum, Hovikoddens Kunst och Heine-Onstad Kunst Center i Oslo, Kiasma i Helsingfors, Museum of Art i Kiel samt Museum of Art i Lübeck.

Artist

Ever since the 60s, Jan Håfström has been an important and clearly shining star in Swedish art and culture. He graduated from the Academy of Fine Arts in Stockholm and painted "The Forest", 1968 and later "Grandmother", 1972, both of which have become classics and can be seen in the Moderna Museet's collection.

In 2001, he surprised the Swedish art public with the exhibition "Walker", at Färgfabriken in Stockholm. Out of the abstract, quiet, minimalist comes Mr. Walker and his fictitious, eventful world. Elements of childhood adventures and images depicting the disguised Mr. Walker aka the Phantom are in the paintings. This time in the form of cut-out, enlarged details. Like scenery that for once has the main role, the stories and adventures return in fragments and form a new story, about how it was and how it came to be. But Walker also moves in the same world as A. Böcklin's "Island of Death" 1880s and Joseph Conrad's "Heart of Darkness" from 1902. In the darkness of romance, death is fought and the creative power of life is allowed to win and triumph. In the story about Walker, Håfström combines the abstract canvases and the moods of the objects with the stories that were decisive and strongly influenced his life. The journey of childhood comes back in stripped down and renewed form.

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Specialist Modern Art, Prints
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