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Gustaviansk(Sweden, 1775-1810)
VÄGGPENDYL, sengustaviansk, Israel Dahlström (verksam 1792-1829), Stockholm.
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VÄGGPENDYL, sengustaviansk, Israel Dahlström (verksam 1792-1829), Stockholm.

Skuren, förgylld och bronserad. Genombrutet krön bestående av en brinnande fackla flankerad av två fåglar, under en girlang av lagerblad. Vitlackerad urtavla med latinska siffror flankerad av två rosbuketter ståendes på vardera kapitäler som fortsätter ner till tre kannelerade kolonner. Spegelglas i bakgrunden. Genombruten nedre del med girlanger och en avslutande kotte. Pendel finns, Höjd ca 92. Längd ca 47 cm.

Slitage. Sprickor. Färgbortfall. Fläckar. Renoverad. Utbytt bakstycke. Senare bronsering. Skador. Lagningar. Krön avtagbart. Ej funktionstestad.

More about Gustaviansk

The Gustavian era fell between 1775 and 1810. The furniture then takes on, in contrast to Rococo, a more restrained contour. The legs become straighter and tapered, the colours become softer in mostly grey-green and grey-blue tones. Typical to the Gustavian time is intarsia, inlays with medallions and classical borders. The chairs backrests are often straight spindles or a curved bundle of spindles, with the finer chairs have a padded back with a rosebud decoration at the top. A significant detail is the flower, "fleuron", which is often found in corner ornaments, leaf scroll decoration, and festoons of leaves, flowers, or fruits. Between the years of 1785-1810 is commonly known as the late-gustavian era and is known for its rigid clacissism. Rich intarsia decoration was replaced by smooth, dark mahogany with elegant brass fittings and moldings.

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