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When Anders Zorn passed away, he did so as one of Sweden’s greatest artists of all time. Whatever medium he turned his hand to, he mastered it with a rarely witnessed skill and elegance, appearing effortless and spontaneous, though often carefully studied and prepared. Likewise, he moved with ease between the aristocracy and the common folk, both formally dressed and buttoned-up, as well as naked and free.
In the Nationalmuseum's exhibition catalogue "Strindberg – The Painter and the Photographer" (2001), Per Hedström paints the following picture of August Strindberg's painting during the 1890s:
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