Ei yhteyttä palvelimeen
Online-teemahuutokaupat
Systembolaget Wine and Spirits auction D068
Huutokauppa:
Contemporary Art Online – Summer Edition F639
Huutokauppa:
Anders Zorn F676
Huutokauppa:
Modern Art Online – Summer Edition F621
Huutokauppa:
Garden Party E1208
Huutokauppa:
Designers of Riihimäki Glassworks E1174
Huutokauppa:
Design Jewellery Online E1182
Huutokauppa:
Josef Frank and Friends – Summer Edition E1145
Huutokauppa:
369
1350165

Two Russian porcelain Easter Eggs, circa 1890-1900, presumably Imperial porcelainmanufactory, St Petersburg.

Lähtöhinta
6 000 - 8 000 SEK
564 - 753 EUR
630 - 840 USD
Vasarahinta
6 000 SEK
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Cecilia Nordström
Tukholma
Cecilia Nordström
Johtava asiantuntija – itämainen keramiikka & taidekäsityö, eurooppalainen keramiikka ja lasi
+46 (0)739 40 08 02
Two Russian porcelain Easter Eggs, circa 1890-1900, presumably Imperial porcelainmanufactory, St Petersburg.

Each painted with flowers against a white ground. Height 10 cm.

Wear.

Alkuperä - Provenienssi

The private Collection of Nils Nessim (1916-1974), thence by descent.

Nils Nessim (1917-1974), was a Swedish businessman and carpet dealer, son of the Director and Carpet specialist Jean B Nessim (1887-1946). In 1942 he founded AB Nils Nessim in 1942, he expanded and in the 1960’s he founded Nils Nessim International and Nils Nessims Antiques. Nils were early schooled in the carpet business by his father, and went on many business trips to aquire carpets and goods for the stores. He travelled the world and built up an impressive collection of Antiques and Asian Works of Art alongside the carpet business. In 1959 he became the first westener to be allowed to export antiques from China. He is well known for his collection of Russian Easter Eggs, and at one point he is said to have had over 1000 of them.

Kirjallisuus

Eggs with pale cream or pastel grounds & decorated with floral studies in Japonesque or loose brushwork inspired by Impressionist painting were particularly popular in the last decade of the nineteenth century.For other examples from the Imperial Porcelain Factory, see: Tamara Kudriavtseva & Harold Whitbeck, Russian Imperial Porcelain Easter Eggs. Русские императорские фарфоровые пасхальные яйцa (London: Merrell, 2001), nos. 203-212, pp. 255-259.The creamy pale green ground ground was obviously influenced by the cream-colored glazes that Lenox had shown at the Paris International Exposition in 1889 to great acclaim & which was imitated by factories throughout Europe & America. At the Imperial Porcelain Factory, these muted pastel glazes were used as grounds for floral or Russian Style ornament.