Ei yhteyttä palvelimeen
Online-teemahuutokaupat
The Concretist Gerd Nordenskjöld – Part II F777
Huutokauppa:
Curated Timepieces December F637
Huutokauppa:
Finnish Prints F770
Huutokauppa:
Lotte Laserstein – A private collection F753
Huutokauppa:
Madeleine Pyk – A Collection F769
Huutokauppa:
Sculpture Now F749
Huutokauppa:
Linn Fernström – Drypoint Engravings and Works on Paper F773
Huutokauppa:
Female Voices in Modernism E1268
Huutokauppa:
Live-huutokaupat
Contemporary Art & Design 670
Huutokauppa: 21.−22. huhtikuuta 2026
Important Timepieces 671
Huutokauppa: 21. huhtikuuta 2026
Modern Art & Design 672
Huutokauppa: 20.−21. toukokuuta 2026
Important Spring Sale 673
Huutokauppa: 10.−12. kesäkuuta 2026
1140
1399798

A set of 10 Chinese blue and white dishes, Qing dynasty, 19th Century with hall mark to base.

Lähtöhinta
5 000 - 7 000 SEK
470 - 659 EUR
537 - 752 USD
Vasarahinta
13 000 SEK
Tarjouksen tekeminen vaatii erillisen hyväksynnän
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Cecilia Nordström
Tukholma
Cecilia Nordström
Johtava asiantuntija – itämainen keramiikka & taidekäsityö, eurooppalainen keramiikka ja lasi
+46 (0)739 40 08 02
A set of 10 Chinese blue and white dishes, Qing dynasty, 19th Century with hall mark to base.

Decorated in underglazye blue, central motif with a character for hapiness surrounded by ruyishapes and bats. Around the inner rim stylized dragon pattern. Diameter 20 cm.

Cracks, crazings, kintsugi repair.

Alkuperä - Provenienssi

From the Collection of a Swedish gentleman who was employed at the Gadelius Company and stationed in Japan in the 1950s and 1960s. The collection was built during these years, some items were purchased in Japan, but also on their business trips to Taiwan and Hong Kong.

Kirjallisuus

The pieces are repaired in Japan in a technique called Kintsugi (translates to ‘golden joinery’), also known as kintsukuroi ‘golden repair’. It is a Japanese art of repairing broken pottery by mending areas of breakage with lacquer dusted or mixed with powdered gold, silver or platinum, and it treats breakage and repair as a part of the history of an object rather than something to disguise.