Ei yhteyttä palvelimeen
Online-teemahuutokaupat
Systembolaget Wine and Spirits auction D071
Huutokauppa:
Mona Lodström – Abstract Expressionist F746
Huutokauppa:
Helsinki Winter Sale F615
Huutokauppa:
Fashion October Edition E1260
Huutokauppa:
Statement Pieces – Chairs E1263
Huutokauppa:
Gold Coin Collection – Oscar II & More E1273
Huutokauppa:
Dine in Style E1235
Huutokauppa:
Start Your Art Collection E1264
Huutokauppa:
712
1543987

Richard Bergh

(Ruotsi, 1858-1919)
Lähtöhinta
50 000 - 70 000 SEK
4 700 - 6 580 EUR
5 300 - 7 420 USD
Vasarahinta
Ei myyty
Tietoa ostamisesta
Lisätietoja ja kuntoraportit
Rasmus Sjöbeck
Tukholma
Rasmus Sjöbeck
Avustava asiantuntija
+46 (0)727 33 24 02
Richard Bergh
(Ruotsi, 1858-1919)

"Cypresser"

Executed 1897 in Florence. Watercolour, image 32 x 16 cm.

Alkuperä - Provenienssi

Private Collection, Sweden.
Thence by descent to the present owner.

Näyttelyt

Nationalmuseum, Stockholm, "Minnesutställning av Richard Berghs efterlämnade arbeten", May - June 1919, cat. no 100 (titled 'Cypresser' (in the background sunlit Florence).
Prins Eugens Waldemarsudde, "Richard Bergh", October - December 1978, cat. no 30.
Aguélimuseet i Sala, Sweden, "Richard Bergh", 19 May - 30 July 1995, cat. no 43.

Kirjallisuus

"Richard Bergh - ett konstnärskall", Hans Henrik Brummer (ed), Prins Eugens Waldemarsudde och Carlssons Bokförlag, Stockholm, 2002, mentioned p. 67, illustrated p. 72.

Muut tiedot

Richard Bergh, together with his friend Prince Eugen joined the artists' colony in Florence during the autumn and spring of 1897-98. Hans Henrik Brummer has written about this period in Florence, Bergh's landscape painting, and the specific painting "Cypresser" in the catalogue for the exhibition at Waldemarsudde in 2002:
"In 'Cypresser', he wanted to depict the strict trees against the villa's gate, which Bergh saw as the gate to paradise, in the strong sunlight. The air-enshrouded gate to paradise was reached by the cypresses, which shot up towards the sky from the base of the cliffs. Through the contrast between shadow and dazzling sunlight, between hard wall surfaces and the softer landscape, he captured a piece of Florentine nature on the canvas. He used the entire colour scheme as a means of contrast. The wall's warm colour tones in red and pink enhance the coolness of the shadowed areas. The focus on the subject is evident through the simple synthesising form and the thin layers of paint. The simplification, which was part of Bergh's newly gained insights, must be seen against the background of the impressions he received from the art of Botticelli and Fra Angelico."