Just before Christmas in 1895, Gallen-Kallela had moved into his new home with his wife Mary, which they named Kalela. The spacious log building was still largely unfinished at that time. During his time in Berlin, the artist had become interested in graphics, and around Christmas the year before, this interest took off as the several hundred-kilo etching press ordered from Manchester had arrived in Ruovesi. The first major Kalevala work, "The Defenders of the Sampo," was already on its way to an exhibition in Helsinki. The home was filled with the cries of a small baby. After the loss of their daughter Impi Marjatta, Mary and Akseli had another child. The breathtakingly beautiful winter made the artist's blood surge despite the severe cold. It was a remarkable November; the first snow had fallen before the ice had settled on Lake Isoselkä.
The pines were covered with snow that had frozen onto the branches. Soon followed windstill cold nights, and Lake Isoselkä was covered with mirror-like ice.
Like our Swedish painters, Gallen-Kallela travelled to Paris in the 1880s and joined Bastien Lepage's realistic painting. However, it was his journey to Eastern Karelia in 1890 that sparked his interest in Finnish national romanticism. His style became decoratively simplified, strongly emotional, and inspired by French symbolism and synthetism.
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