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Ola Billgren

(Sweden, 1940-2001)
Estimate
1 500 000 - 2 000 000 SEK
132 000 - 177 000 EUR
138 000 - 184 000 USD
Hammer price
1 650 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Louise Wrede
Stockholm
Louise Wrede
Specialist Contemporary Art, Private Sales
+46 (0)739 40 08 19
Ola Billgren
(Sweden, 1940-2001)

"Skymningstimme"

Signed O. B and signed by stamp through Anita Nilsson Billgren on verso. Canvas 165 x 274 cm.

Import VAT

Import VAT (12%) will be charged on the hammer price on this lot. For further details please contact customer service +46 8-614 08 00.

Provenance

Galleri Engström, Stockholm.

Exhibitions

Galleri Engström, Stockholm, "Ola Billgren, nya målningar och collage", 1988.

More information

The present catalogue item ‘Skymningstimme’ is a unique work in Billgren’s oeuvre. The size of the canvas combined with the complexity of the subject means it absorbs the viewer. Part of the ‘Cityscapes’ series, it functions a collage of different places, of sky, earth and air. The saturated atmosphere can only be described as chaos, something that the size of the canvas reinforces. In a piece of writing about ‘Skymningstimme’ Bo Nilsson describes the unique environments Billgren creates in his work: “…in another painting Billgren has called this intermediate state between city and countryside his ‘terrain vague’, best translated as ‘uncertain terrain’. Terrain vague is not a physical place but more a mental state, characterized by a magnificence that may be defined as sublime. It is a complex feeling that holds considerable beauty but also a sense of threat or danger, an added dimension of civilization’s downfall, in German usually referred to as ‘Götterdämmerung’, the twilight of the Gods. The different pictorial levels make us contemplate different elements of our civilization and if we interpret Billgren correctly, things do not seem quite right in our world.
Is it up to the viewer to pause and linger on these the different stages of collapse and in doing so become aware of what is going on in the world around us?”