No connection to server
Theme auctions online
Arts of Asia – In the year of the Fire Horse F707
Auction:
Selected Jewellery – Valentine’s F766
Auction:
Modern Art Online – Winter Exhibition F768
Auction:
Classical Antiques F757
Auction:
Contemporary Art Online – Winter Exhibition F710
Auction:
A Token of Love E1285
Auction:
Flowering Folk Art E1281
Auction:
Live auctions
Contemporary Art & Design 670
Auction: April 21−22, 2026
Important Timepieces 671
Auction: April 21, 2026
Modern Art & Design 672
Auction: May 20−21, 2026
Important Spring Sale 673
Auction: June 10−12, 2026
698
1440270

Gianni Colombo

(Italy, 1933-1993)
Estimate
30 000 - 40 000 SEK
2 920 - 3 900 EUR
3 400 - 4 530 USD
Hammer price
Unsold
Bidding requires special pre approval.
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Mollie Engström
Stockholm
Mollie Engström
Specialist Modern Art and Prints (On Leave)
+46 (0)70 748 22 63
Gianni Colombo
(Italy, 1933-1993)

"Cromostruttura"

Signed Gianni Colombo and numbered 85/100 on label. 1961. Stainless steel and plexiglass. Height 27 cm, width 14 cm.

Provenance

Acquired directly from the artist by the present owner.

Artist

Gianni Colombo is one of the most important Italian artists of kinetic work, and a member of the Arte Programmata movement. Between ’59 and ’60 he founded the “T Group”, linked to the international movement of “Nouvelle Tendence”. His first solo show was held at the Galleria Pater, Milan in 1960.

His interests in different fields of physics engendered works which included mechanical, electrical and magnetic devices, industrial neon lights and lasers, all seemingly exalting the aesthetic potential of technological rationalism. In the 1960s he made experimental films, kinetic objects and enviroments. He exhibited widely in Italy and abroad.

In 1985 he became director of the Brera Academy where he taught the “structuration of space”. He also took part in avant-garde scenography (Operstheater of Frankfurt, 1986) and in designing virtual architectures (including the Architetture cacogoniometriche in 1988, the Spazi curvi, 1992). He was the winner of the Venice Biennial in 1968.

Read more