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909A
1563525

Olle Bærtling

(Sweden, 1911-1981)
Estimate
40 000 - 50 000 SEK
3 530 - 4 420 EUR
3 760 - 4 700 USD
Hammer price
40 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Amanda Wahrgren
Stockholm
Amanda Wahrgren
Specialist Modern Art, Prints
+46 (0)702 53 14 89
Olle Bærtling
(Sweden, 1911-1981)

"Denu"

Signed in pencil and numbered 92/100. Colour serigraph, 1960. Image size: 74 x 38 cm. Sheet size: 77.2 x 41.2 cm.

Provenance

Galerie Bel’Art, Stockholm.

Artist

Olle Bærtling was born in Halmstad in Sweden and is most notable for his painting and sculpture. Bærtling studied like Bengt Lindström in Paris for André Lhote and Fernand Léger. His first exhibition took place in Stockholm in 1949. Bærtling works foremost in a geometric, non-figurative style, approaching his art as a scientist would his research. In 1956 Bærtling discovered his open form, the open trangle with sharp angles which express speed. When in 1956 he positioned the apex of the triangle beyond the boundaries of the frame, the canvas became merely a segment of an event occurring beyond our visual field. The sense of speed is emphasized by the colour, which gives the impression of higher velocities the closer to the triangle’s apex. Black outlines are strong characteristics of Bærtling’s art, while they may seem straight, they actually bend inwards towards the large fields, counteracting their outward pressure. Colour was also essential to Bærtling’s work, whereby it was imperative that they could not be found in nature and were not associated to any form or object. Thus Bærtling only utilised secondary colours: violet, orange, green, and Bærtling-white (a week green-tinted colour). His open form is most evident in the sculptures he made from 1958 onwards. Bærtling consistently delved into the interplay between colors and shapes, remaining unaffected by external artistic trends throughout his life. Today, we can see how artists such as Ann Edholm have been inspired by Bærtling's creations.

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