The specialist's choice – Jonatan Jahn lists lighting favourites from Modern Art + Design
Specialists choice Jonatan Jahn
We have spoken with Jonatan Jahn, Head Specialist Contemporary and Modern Design, who talks about the selection at this spring's Modern Art + Design. He also takes the opportunity to list some of his favourite objects among the substantial amount of design at this spring's auction.
What can we look forward to, regarding lighting, in this season's Modern Art + Design auction?
– My interest in lighting has always been significant. Swedish lighting history is one of several reasons for Sweden's strong international reputation as a design nation. During the golden age of Swedish design, from the 1920s to the 1950s, fantastic luminaires were produced by several manufacturers of absolute top quality. Many of these were designed by designers relatively unknown to the broader public, such as Harald Notini, Hans Bergström, and Lars Holmström. Others are of more significant character, for example, Gunnar Asplund, Josef Frank, Carl Axel Acking and Greta Magnusson Grossman. All of the designers mentioned above are represented in this spring's catalogue, and below, I have listed some of my favourite luminaires from the auction.
Browse our web catalogue and welcome to visit the viewing. Don't hesitate to email me if you have any questions.
When is the viewing and auction?
Viewing: May 11 – 15, Berzelii Park 1, Stockholm
Open: Weekdays 11 am – 6 pm, Weekends 11 am – 4 pm
Live Auktion: May 16 – 17, Arsenalsgatan 2, Stockholm
Gunnar Asplund A wall lamp, "Typ 16"
Carl Axel Acking Floor lamp, model "2645"
Another favourite is Carl Axel Acking's unusual floor lamp, model 2645. Acking, who worked under Gunnar Asplund in his early years and contributed to several pieces of furniture and luminaires for Asplund's office, later gained significant influence under his own name. Several of Acking's furniture pieces are now recognized as classics. However, his luminaires belong to an almost forgotten chapter. Acking designed fantastic luminaires for several projects, such as Hotel Malmen and Restaurant Söderport, and his major international breakthrough came at the 1939 World's Fair in New York. Acking designed a collection of luminaires for the exhibition, including this auction's luminaires. Acking primarily collaborated with a Malmö-based company, Bröderna Malmströms Lampvarufabrik, to produce his luminaires. Together, they have made some of the most exclusive luminaires that significantly contributed to the introduction of the concept of Swedish Modern to an international audience.
Josef Frank Floor lamp model "G 2346"
One of our most beloved designers and architects is Josef Frank. Many are familiar with Frank's furniture and textile patterns for Svenskt Tenn. Frank also designed various luminaires for Svenskt Tenn, although not all of them have been as widely produced as his other objects. The floor lamp model "G 2346" featured in this spring's catalogue belongs to a collection that was launched in the early 1950s and was likely only produced for a few years. As early as the 1954 catalogue, a handwritten note saying "Discontinued" indicates how exclusive and rare this model is. The lamp is typical of the era of Swedish Modern luminaires, made entirely of brass with an uplight shade and in a generously proportioned scale. The lamp also features the distinctive rounded attributes and details that are characteristic of Frank's light fixtures.
Hans Agne Jakobsson Ceiling lamp, model ”T 177”
We are delighted to present a collection of furniture and luminaires designed by Hans Agne Jakobsson. Jakobsson is perhaps Sweden's most prolific luminaires designer, having furnished most of the country's public spaces and churches during the 1960s-1980s. The collection in this spring's auction primarily consists of pieces from Jakobsson's early career, which took off in the early 1950s. Jakobsson worked at Hans Bergström's firm, Ateljé Lyktan, in Åhus. He significantly influenced the design at Ateljé Lyktan and decided to start his own business in 1951. It turned out that Åhus was too small for the two designers, and Jakobsson moved to Markaryd, where he would spend the rest of his life.
To the ceiling lamp